I haven't found much else on this artist, though he seems competent to say the least. I have no idea of his origins, where he came to learn his trade, I can't get hold of a copy of the book it is from anymore, even though I have viewed it in person much to my annoyance (I should've jumped at the chance to collect information on a piece of collage work I like) but alas, I have failed. Either way the mystery is something I love.
The piece itself is inspirational in its use of materia, however much of it looks/seems to be 'painted between the lines'. Whether consciously constructed with the imagery at play her, or totally misconstrued by myself to a higher sense of credibility, as if it doesn't deserve as much as I am giving it, the piece is subliminally suggestive of a lonely almost desperate elder, tattered and broken, seeking refuge in a tavern of some sort. The emotion conveyed are vague at best, though subtly they creep in, the more you view this piece as a whole and not just a collaged load of smaller images. I can only but assume it is due to the negative amount of facial features on show, that gives the work a subtle and quiet way of conveying its emotional content. This is just another way of backing the stark contrast of this work that I create.
“The Black Felt Hat” by Bob Kilvert, from Creative Collage Techniques by Nita Leland and Virginia Lee Williams.
http://www.dawnsbrain.com/index.php?s=hume
© Dean Ross.
I was just looking at this book and at Kilvert's work again, googling, only to find these few examples http://www.coverack.org.uk/pages/Bob2009.html
ReplyDeletewhich are so much less interesting than the 3 in Collage Techniques. Odd that he doesn't show up anywhere else. I saw a woman's work in AZ this winter which was quite accomplished - same technique - I can search her out if you are interested.
If you really want the book --- I did so I bought it a couple of years ago from here. http://www.amazon.com/Creative-Collage-Techniques-Nita-Leland/dp/0891345639
ReplyDeleteBob Kilvert used to run art classes in Weobley, Herefordshire, mainly watercolour painting but also creative collage using old magazines as a source for his materials,which I think was his main interest. I'm not sure if he's still making work or has retired now. I understand that he's a descendant of the 19th century diarist Francis Kilvert.
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